The cross stitch project I started while our house was under construction is done and hanging in my sewing room. The framer suggested that it be hung on point and I wrestled myself out of my comfort zone and agreed.

The frame (almost not found from among the hundreds available) is ideal: a speckled gray/green/brown which blends perfectly with the outer stitched border

It’s good to finally have something pretty adorning the big, blank, sterile section of wall above the printer table.

Thanks for stopping by!



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A guide to cross stitch sanity

My ADD tendencies pushed me into another cross stitch project, one of a three-part series with a garden theme and very different from the types of patterns I typically stitch. The finished image is small, measuring only 3⅞” x 5¾” and is jam-packed top to bottom with color changes, many of which require a single stitch immediately followed by the burying of the thread tail because a repeat of that color is nowhere close by.

For copyright purposes, most of the pattern has been blurred, but you get the idea.

Keeping track of my stitching position and nine shades of green was driving me crazy, so I did two things: massively enlarged the pattern (~400 percent) and gridded the ground cloth.

The pattern as originally published measured 7¾” x 5⅜”, with each 10 x 10 graph paper square measuring only ¾”: insanely tiny.

I scanned the image and printed it on E-sized paper with the final image measuring 31″ x 21¼” with each 10 x 10 graph paper square measuring almost 3 inches. Yes, it’s big and a bit unwieldy to handle, but reading the chart is now a breeze.

In addition to marking the horizontal and vertical centers on the ground cloth, I also added grid lines in the same location they appear in the pattern.

It was tedious, to be sure, but highly beneficial for keeping track of my stitching position.

For all you stitchers out there, I hope you find this helpful. What are you stitching?

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In the cross stitch zone

I finished a cross stitch project while on vacation earlier this month

Fern Lake trail in Rocky Mountain National Park

and took it to the framer yesterday. Finishing it inspired me to pick up where I left off on this one, number three of five in the Heirloom Quilts series by Linda Bird:

I made a small upgrade to the organization system I created two years ago for the embroidery floss colors required for a project, which you can see here. Instead of using sheets of paper, I cut 1¼” x 2½” scraps of Aida cloth,

overcast the edges and added labels to the bottom which contain the floss color number and chart symbol. The cloth holds up much better than the paper, so it was worth the effort.

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A milestone in plaid

Sometimes you just have to step back to gaze at your work product

and bask in the satisfaction of what you’ve accomplished, like 63 plaid star blocks. Here are the last two blocks:

If this quilt never gets finished, I will still be happy about finishing 63 blocks with all those bias edges.

With block construction done, it was time to arrange the blocks and decide whether to keep them oriented the same way or to mix them up by rotating them. John convinced me to step outside my comfort zone of neat and orderly and rotate the blocks.

As I worked on the setting, we both agreed that turning them in different positions helped to emphasize the colors and plaid patterns in each block.

All the sashing strips were cut from this red and khaki woven:

A bad case of project burn out surfaced after completing three rows, so it’s back in the closet for now, but I’m still exhilarated about having reached the first construction milestone for this project.

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Plaid star blocks: on the home stretch

I almost made it! With 10 plaid star blocks to go (63 in all), I finished eight this month. Here they are:


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The plaid star blocks of summer

I managed to knock out ten – count ‘em – ten – plaid star blocks this month! Ten is a nothing short of a miracle because by the time I started the seventh or eighth one, I was sick of plaids, sick of stars, sick of bias edges and sick of matching diagonal seams.

When I wasn’t too tired, I sewed a little bit in the evenings after work, and then carved out time on the weekends to power through and finish two or three blocks each week.

Ten blocks to go!

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6 more plaid stars

May’s plaid star blocks got finished in the nick of time – one day before the calendar rolls to June. I spent two solid weekends at the beginning of the month cutting the 130 background patches for the remaining 26 blocks, followed by the cutting of 156 star patches, followed by the marking of all 286 patches and then finally, laying them out.

To tame my OCD tendencies, I tried to cut an equal number of background patches with the stripes running both horizontally and vertically. For the star patches, I tried to use each of the 7 colors (except for brown) more or less equally in each position. I also tried not to use the same plaid in the same place twice, very much possible with my healthy homespun stash. Years of fabric hoarding does have advantages, yes?

Most would not care about any of those self-imposed rules, but my brain requires me to deal with these details.

It’s been liberating to have all the prep work and color decisions out of the way so I can sit and sew whenever the mood strikes or time allows. Also, with this advantage, I should be able to finish piecing the top by the end of the year.


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New York, New York

Last week, John and two others in our office had business in New York so the three wives went along for fun and a bit of sightseeing while the husbands were obligated to an all-day meeting.

Most of Tuesday was a travel day, and I was stunned that La Guardia airport looked pretty much like it did in 1986 when I was last there. There was a lot of construction in the vicinity, but 30 years of no visible significant improvements was a surprise.

Tuesday night there was a dinner at the Yacht Club. Now, when I hear the word yacht, I think large boats, water, piers, etc., but it was a place in downtown Manhattan. The dining room was grand, with a high ceiling featuring a back lit Tiffany-style stained glass inset, lots of ornately carved wood trim and scale model boats on the walls: very 1940s.

The strict rule against cell phone use inside the club was a welcome change of pace; how refreshing to converse with people who weren’t distracted by an inanimate object that too many people value as much as their own kidneys. We enjoyed visiting with a couple from Canada and several people from Denver.

The highlight of the trip was on Wednesday morning when we walked over to the Downton Abbey exhibit.

We were especially excited because the exhibit, scheduled to end April 1, had been extended, so we were able to get tickets for a 10:00 a.m. admission. After a leisurely breakfast at a bustling little cafe, it was only a 5-minute walk to the exhibit.

While the exhibit featured various rooms in the Crawley home like the dining room, Mrs. Patmore’s kitchen, Mr. Carson’s office, etc., I had been especially looking forward to seeing all the clothing and the exhibit did not disappoint; indeed, I have 150 pictures to go back through and study. I tried to get one good photo each of the entire outfit and then zoom in for a closeup or two of the fabrics, trims, beading, overlays, pleats, tucks, necklines, hemlines, collars, cuffs, buttons, buttonholes, belts, hats, gloves and shoes.

What a marvel the workmanship is on these beautiful bound buttonholes on this navy and black dress worn by Lady Mary.

It was all just wonderful, and I lingered at every one, trying to soak in every last detail. As I was admiring all the fashions, I thought of my mom and wished she had been there with me; she would have loved it.

In the afternoon, we walked to the Frick museum to see an amazing collection of paintings, Chinese porcelain, sculptures and furniture inside the former residence of American industrialist Henry Clay Frick, who made his fortune in steel.

Wednesday evening, there was another dinner, followed by, for guests who were interested, seats at the Imperial Theater for the Broadway show Carousel.

The theater was pretty inside, and while the seats were comfortable, there was less leg room than you would encounter in the coach section of an airplane, so at least two people in our group were feeling pretty cramped by the second act.

Still, a New York theater experience is quite special, and John and I were grateful for it.

It’s been nine or 10 years since John and I have taken a real vacation and after this trip, we both realized that we’d better start planning other getaways. We have some ideas….


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Plaid star blocks: ramping back up

After two marathon plaid star block weekends at the end of March, I took a couple weeks off. Yesterday I immersed myself back into the groove when greeted by a cool, rainy Saturday morning. I finished cutting the last few star pieces and then spent the rest of the morning and most of the afternoon marking seam lines on the remaining 286 patches.

I had to revise my decision to go with a 7 x 8 block setting because of the way the quilt is sashed. The pattern calls for vertical sashing between the blocks in each row but NO sashing between the rows.

Image captured from EQ.

In a 7 x 8 setting, the quilt measured 6 inches wider than it was long, which looked peculiar.

A 7 x 9 setting resulted in an almost square quilt by 2 inches. With a jump in the block count from 56 to 63, I had to make sure there was enough background fabric in my stash for an extra 35 patches without too many repeats of any one fabric.

Thankfully, there was, but I spent a lot of time figuring out the best way to get the maximum number of patches from each of the remaining fabrics, most of which, by then, were less than a fat eighth in size.

It’s like playing with paper dolls, but it works!

With 37 blocks completed, there are 26 to go. At 5 per month, I’ll be able to start putting the top together by September or October and then hope for an end of year finish—of the top, not the quilt—as there is a pieced border, which will take extra time.

In the meantime, here are April’s blocks:


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March star blocks

Progress on my plaid star blocks continues, albeit slowly.

I forced myself to make the blocks for next month as well, and in the process, used up all the background pieces I’d cut when I first started the quilt.

There was enough of each of the 12 background fabrics to cut one more block’s worth,

with a little left over from some of them to cut one or two more background pieces. This would yield 48 blocks, but with a little finagling and the addition of 3 new background fabrics,

I figured I could eek out another 8 blocks for a total of 56. This would allow the quilt to grow from a 6 x 8 setting to a 7 x 8 setting.

In my last post, I mentioned that I was going to find out how much time it took to mark the seam lines on all 11 patches of this block and the result was one hour. It’s borderline crazy to spend this kind of time on one quilt, but I think it will look really cool when it’s done—that is, if I can keep up with it!

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